| Abstract: | 面部表情一直是人?与模仿或代表人?的不同人工制品之?的情感交流，例如卡通?、雕塑、文化面具、??、机器人、?字化身、照片等。?人??看海?、???告、??、?影或使用?有表情符?或?有卡通人物和其他面部??的?像的?字??，他?也?通?与卡通面部表情的互??感知情感交流。因此，了解和?估????些卡通面部表情的描?的情?反?是必要的。本研究的目的包括?查卡通面部表情中眼睛或鼻子大小的?化是否?激?正效价或?效价，以及???种面部表情的大小不同??引?哪些??情?。功能?化。??研究是??台? 55 名 20 ?以上的成年人?行的。使用自我?估人体模型，SAM 被作?一种??而有效的方法??估?像和基于 AIPS 的?卷的情?。?研究表明，大小眼睛是?某种面部表情的?烈情?刺激。
Facial expressions have been an emotional communication between humans and different artifacts that mimic or represent human faces, for example, cartoon drawings, sculptures, cultural masks, animations, robots, digital avatars, photographs, etc. When humans watch a poster, TV adverts, newspaper, movie, or use digital devices that have emojis or an avatar with cartoon characters and other facial drawings, they also perceive emotional communication due to the interaction with cartoon facial expressions. Therefore, understanding and assessing the viewers' emotional response in relation to the portrayal of these cartoon facial expressions is necessary. The purpose of this study consists of investigating whether the change in sizes of the eyes or nose in the facial features in the cartoon facial expression may stimulate positive or negative valence, as well as which excitement emotions can be triggered when the sizes of these two facial features change. The study was done for 55 adults, above 20-year-old, in Taiwan. The use of Self-Assessment Manikin, SAM was being practiced as a simple and efficient method for evaluating emotions for imagery and AIPS-based questionnaire. The study shows large and small eye sizes as the intense emotional stimuli on a certain facial expression. |
