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| Title: | 自我的建構與書寫——荊棘〈南瓜〉解析 |
| Authors: | 簡澤峰;Ze-Feng Jian |
| Contributors: | 通識教育中心 |
| Keywords: | 荊棘;南瓜;自我;書寫;敘述;thorns;pumpkin;self;writing;narrative |
| Date: | 2014-06 |
| Issue Date: | 2014-06-05 04:14:55 (UTC+0) |
| Abstract: | 這篇論文旨在荊棘以「自傳體小說」方式創作的作品。其文體雖然是小說，但寫作的根據卻是自己過去的生命事實，故而她透過回憶、自傳、小說等形式來書寫自我，表達現在的我對過去的我的種種看法、情感。如何看待這種虛實參半，深入這種以虛構的筆法書寫過去真實的「自傳體」小說？筆者試圖從幾方面來分析〈南瓜〉一文：其一，從「自傳」體裁分析〈南瓜〉所建構的「我」，試圖從建構自我的參照對象著手，也即文中的母親與父親分析荊棘如何從這兩者身上尋找、建構「我」。其二，從敘述的方式分析荊棘如何陳述過去的「我」，以及這些記憶和「我」有何關連，及其背後的意義。就「自我」參照的結果言，荊棘從「南瓜－即母親」的身上，意識到原來自己和父親一樣，都是吝於付出情感的人，由此更瞭解自己，心靈獲得某種領悟與成長；從「南瓜－父親」身上，她領悟到原來自己這種缺失和父親的缺席、不在場有關，也就是心理學上「父親缺席心理經驗」，而造成這種情形的原因主要是傳統中國文化的影響。就敘事的筆法的效果與意義而言：1.〈南瓜〉充斥了許多獨白、心靈化的敘事法。這些敘事方式造成強烈的抒情效果，使它更具主觀性。2.荊棘使用顛倒、跳躍的敘事手法，是一種「非線性時間」的敘述方式。3.〈南瓜〉中經常出現的敘述「事件」是母親童年時期江南的回憶，這一回憶已深入荊棘的潛意識裡，幻化為她自己的一部份。
This paper’s gist with ＂autobiographical novel＂ approach works created of Jingji. Although its style is novel, but the writing is based on the fact that the last of his life, and therefore by way of her memories, autobiography, fiction, etc. to write self-expression now I’m past my various opinions, emotions. The author attempts to analyze several aspects《Pumpkin》: One, From the ＂autobiography＂ genre analysis ＜pumpkin＞ constructed ＂I＂, trying to begin to construct an object of self-reference, that the text of the mother and father, both from the analysis of how the body looking thorns construct ＂My.＂ Two, From the analysis of narrative way how the statement thorns past ＂I＂, and these memories and ＂me＂ What is connected, and the underlying meaning. On ＂self＂ made reference to the results of thorns from the ＂pumpkin-that mothers’ body, and realize that he and his father, are too mean to pay emotional person, thus a better understanding of yourself, get some kind of spiritual insight and growth ; from ＂pumpkin-the father,＂ who, she realized that the absence of such a lack of original and fathers themselves, without the presence of relevant, that is, ＂father absence of psychological experience.＂ psychology, but the main cause of this situation is the traditional Chinese culture impact. On the effect and significance in terms of narrative strokes: one, ＜Pumpkin＞ monologue full of a lot of mind of the narrative method. These methods result in a strong lyrical narrative effect, make it more subjective. Two, use upside down, jumping narrative, is a ＂non-linear time＂ narrative. Three, Often narrative ＂event＂ is the southern childhood memories of his mother, the memories have been deeply thorns subconscious, turned into a part of her own. |
| Relation: | 逢甲人文社會學報,28,25-55. |
| Appears in Collections: | [國際企業學系] 期刊論文
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