Proceedings of the 10th Annual Conference of Asia Digital Art and Design Association
Abstract:
本作品係根據中國宋代詩人暨書法家黃庭堅1087年的書體詩詞作品「花氣薰人帖」來創作的「重疊的書體」，將詩詞的藝術型式跳脫傳統空間概念的束縛，而直接成為時間本身的自我呈現，用詩詞的象徵性符號將時間的概念加入畫中以產生空間、時間與意義上的混沌性。藉此以不同視野來解讀書法字體、詩詞的視覺藝術意象，並設計動畫影音展演，以文化創意吸引更多人來認識漢字文化之美。
;
This work tried to create the “overlapping calligraphy” based on T’ing-chien Huang’s calligraphy works called “Flowers’ fragrance incenses one” that was designed in Sung dynasty (1087). Ting-chien Hung is a very famous poet and calligrapher. Instead of being shackled by the traditional framework of the poem, we tried to dominate the time of the visual display. Symbolic poetry symbols were added to the painting to create a feeling of confusion in space time. With this, we can extend our vision on calligraphy and poetry those were used for animation and audio exhibition. In addition, we hope to attract more people to recognize the beauty of Chinese calligraphy in cultural creativity.
Relation:
Proceedings of the 10th Annual Conference of Asia Digital Art and Design Association
