服裝畫之視覺美感研究－從服裝類型及人體比例來建構服裝效果圖之繪製模式

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Title:	服裝畫之視覺美感研究－從服裝類型及人體比例來建構服裝效果圖之繪製模式
Other Titles:	Research on the Visual Aesthetics of Fashion Illustration: Constructing Clothing Effect Drawing Models from Clothing Types and Human Body Proportions
Authors:	林舜青 LIN, SHUN-CHING
Contributors:	陳俊宏;謝省民 CHEN, JUN-HONG;HSIEH, SHENG-MIN 數位媒體設計學系
Keywords:	藝用人體結構學;服裝類型;人體比例;風格表現;服裝效果圖 Artistic Human Anatomy;Clothing Type;Body Proportions;Style Expression;Effect Drawing
Date:	2023
Issue Date:	2023-11-22 01:41:35 (UTC+0)
Abstract:	本研究以「服裝畫視覺美感觀點」切入，探討人體比例與風格表現對於服裝效果圖視覺美感的影響，綜觀過去的文獻資料，甚少深入對服裝類型與人體身形比例在繪畫風格表現上的研究，且多數缺乏科學性理論實證精神探討。然而，以服裝畫的最佳視覺美感，來建構服裝效果圖之繪製模式，具有其必要性和價值性。因此，本研究主要探討「服裝類型」對「人體身形比例」、「繪畫風格表現」的影響，假設當服裝款式的長度越長，其人體比例則越高，產生的視覺美感亦具有明顯正相關，以此發展服裝效果圖繪製模式來驗證對「服裝畫視覺美感」的影響。共執行二個研究，以美術設計相關科系為研究樣本，研究一採用「排序法」及「語意分析法」，瞭解排序的信度和結果，以探討服裝類型與身形比例排序的平均值是否達到差異顯著水準；及影響服裝畫「意象」的視覺美感的共同因素。研究二採用「李克特式量表」，分別評定五種繪畫風格表現是否符合其指標敘述，以探討服裝類型與繪畫風格間的符合度。藉由「服裝效果圖繪製模式」來驗證假設，採用「準實驗設計」來進行，並以實驗介入「人體結構學」及「繪製模式」為自變項，作為推測結果的因果關係。研究結果發現「服裝類型與人體身形比例」搭配之視覺美感呈現正相關、人體比例與服裝類型美感產生的意象具明顯關聯性，說明不同服裝類型，適合搭配不同人體身形比例繪製。服裝類型與風格指標之適合度差異為「真實感」，顯示繪製不同的服裝類型，建議以客觀現實作為標準的繪畫風格才能有效提升服裝畫之視覺美感。從準實驗設計具有明顯差異異性，本研究建構服裝效果圖繪製模式有助於培養繪畫自信；「一豎、二橫、三體、四肢、五形、六著」繪製模式口訣建構，有助提升服裝效果圖之視覺美感。綜合以上研究結果，明確顯示本研究所建構的「服裝效果圖之繪製模式」應具有提升服裝畫視覺美感與繪圖自信，並可提供未來初學服裝畫之繪製參考，進而達到服裝畫教育學習目標。 This study has adopted the perspective of "visual aesthetics in fashion illustration" to investigate the impact of body proportions and style representation on the visual aesthetics of fashion illustration. Upon reviewing existing literature, it is evident that there has been limited in-depth research on the relationship between clothing types, body proportions, and stylistic expressions in fashion illustration, with a lack of scientific theoretical and empirical exploration. To create clothing effects, it is necessary and valuable to establish a painting model for fashion illustration based on optimal visual aesthetics. Therefore, the purpose of this study has been to examine the effect of "clothing types" on "body proportions" and "stylistic expressions" and to test the hypothesis that longer clothing styles are associated with greater body proportions and generate a stronger positive correlation with visual appeal. This study has aimed to establish a painting model for fashion illustration in order to demonstrate its impact on "visual aesthetics in fashion illustration."Two examinations utilizing samples from art and design-related departments have been conducted. Study 1 has employed the "ranking method" and "semantic analysis" to examine the reliability and results of the ranking, aiming to explore whether there are significant differences in the average ranking of clothing types and body proportions, as well as the common factors influencing the visual aesthetics of "imagery" in fashion illustration. The objective of Study 2 has been to determine the compatibility between clothing types and painting styles. The "Likert scale" has been used to assess whether five distinct painting styles corresponded to their respective descriptive indicators. The hypothesis has been verified using a "painting model for fashion illustration" and a quasi-experimental design with "human body structure" and "painting model" as independent variables to determine causal relationships in the inferred results.The findings of this study have indicated a positive correlation between "clothing types and body proportions" and the visual aesthetics of fashion illustration. The imagery generated by the combination of body proportions and clothing types has demonstrated a significant association, suggesting that various clothing types are appropriate for illustrating different body proportions. The difference in compatibility between clothing types and style indicators lies in "realism," suggesting that an objective and realistic painting style is recommended for enhancing the visual aesthetics of fashion illustration when depicting various clothing types. Significant differences have been revealed by the quasi-experimental design, and the devised "painting model for fashion illustration" contributes to the development of artistic confidence. The painting model mnemonic, "one vertical, two horizontals, three structure, four limbs, five form, and six outfits," contributes to the improvement of the visual aesthetics of fashion illustration.On the basis of the aforementioned research findings, it is evident that the "painting model for fashion illustration devised in this study has the potential to improve the visual aesthetics and inspire confidence in fashion illustration. In addition, it can serve as a valuable resource for beginners in fashion illustration, contributing to the educational objectives of fashion illustration.
Appears in Collections:	[數位媒體設計學系] 博碩士論文

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