台灣從1970年開始進入彩色相片的新紀元，隨著時代的演變及攝影技術發展，婚紗攝影上每隔10年都有不同變化。至今，台灣婚紗攝影發展依舊非常蓬勃且多變化。在拍攝婚紗攝影前與新人溝通討論並且在拍攝的現場引導，這剛好和編導式攝影的觀念十分接近。近年來數位攝影的發展之迅速，幾乎人人都可以拍攝，為讓婚紗影像更具意義，研究者使用了編導式攝影的概念去做拍攝，並探討台灣歷年來婚紗攝影風格之演變，以傳遞情感之目的，也是本研究的動機。 本研究探討編導式攝影的定義，並將其在婚紗中的社會角色與婚紗攝影實踐方式的關係做分析解釋。並從婚紗圖像紀錄的形式與轉變，透過國內外繪畫作品的時代呈現，對比台灣婚紗攝影的起源，最後探討台灣婚紗攝影的發展情況。 本創作研究方式採用文獻資料蒐集以及歷史研究，探討編導式攝影的定義以及其社會角色與實踐方式，並整理台灣從1920年代至今的婚紗攝影歷史沿革，運用分析的結果，將自身實際拍攝的作品與之連結，分析作品的創作理念與意義。 創作使用編導式攝影的方式去進行編導，並對人物的服裝或動作進行指導演出。以攝影手法歷史時間之排序，由黑白攝影術及室內棚拍再現，至各種不同婚紗攝影風格表現技法，依序為：一、黑白風格。二、單色背景室內棚拍。三、故事風格。四、光影表現。五、時尚個性。六、蒙太奇。最後將六個系列作品展出於喜餅店，將婚紗與喜餅做巧妙的結合，讓婚紗影像更具有意義。 Abstract After Taiwan published the first colored photograph in 1970, the wedding photographic technique had emerged every decade and sustained it’s leading position in the industry ever since. Today, the development of wedding photography in Taiwan is still very vigorous and varied. The author carefully investigated the evolution of Taiwan's wedding photography and leveraged Fabricated Photography to examine its social identity. Then explored the Fabricated Photography is similarity with Taiwan's wedding photo on shooting. This study explores the definition of Fabricated Photography and analyzes the relationship between social role and the practice way. This research method uses the collection of literature data and historical to explore the definition of Fabricated Photography and social role and practice. It also organizes the history of wedding photo in Taiwan from 1920s . Analyze the photo’s concept and meaning.The series of photos are categorized into six sections. All of them are sequenced by the timeline and genres.1.Black & White2.Studio shooting with a mono-colored backdrop 3.Storyline4.Light and shadow5.Fashion with self-presentation6.Montage All production follows the concept of Fabricated Photography. And they are exhibited in a wedding cake shop, which harmonized perfectly as a complete wedding scenario.
