以錯視群化現象析論數位藝術創作敘事文本研究

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Title:	以錯視群化現象析論數位藝術創作敘事文本研究 An Analysis of the Narrative Text Research of Digital Art Creation Based on the Phenomenon of Illusory Grouping
Authors:	劉晉彰 LIU, CHING-CHANG
Contributors:	數位媒體設計學系
Keywords:	非同質化代幣（NFT）;敘事文本;紮根理論;數位藝術創作;錯視群化 and non-fungible token (NFT);narrative text;digital art creation;grounded theory;visual illusion and perceptual grouping
Date:	2022-07-25
Issue Date:	2022-10-28 06:59:14 (UTC+0)
Publisher:	亞洲大學
Abstract:	數位藝術創作的製作過程，是創作者歷練之路；作品的產出歷程一直是最值得一探究竟的關鍵。本研究擬分析「錯視與群化現象」之創作表現技法、敘事文本展現的重要關鍵加以深度探討，運用紮根理論之深度訪談與電腦輔助質性資?分析軟體 Nvivo進行訪談內容與文獻資?紮根譯碼分析；期能帶入目前的非同質化代幣（NFT）之數位藝術虛擬圖像領域發展的可行性，為此亦將得知驗證研究成果與貢獻。因此，透過錯視、群化、表現蒙太奇文本的深度訪談，及紮根理論的「敘事文本」分析作品。為此聚焦達成以下目的：（1）探索錯視的演變與群化之歷程的關聯性；（2）分析電腦影像技術的敘事文本、構面、因子的要素；（3）針對學界專家歸納表現蒙太奇敘事文本的數位藝術創作技法應用剖析；(4) 導入NFT數位藝術價值與貢獻的可行性，爰此為最大效?之目的。本研究試圖以錯視藝術作品中探索，群化的敘事文本的構面因子之剖析；彙整出數位化藝術表現蒙太奇創作元素，及應用存在價值的範疇。研究結果發現：（1）錯視與群化的視覺文本關聯性詮釋，在完形心理敘事上提出作品的概念→引導→彙集資料→創意思考與發想等相關技巧；（2）數位電腦影像技術的發展：（A）美感養成構面因子：是真實的複製→再現→虛假的擬像→結構性、解構、再建構的方式，對視覺影像創作具備多元化數位藝術呈現之概念。（B）敘事心理構面因子：視覺錯視與認知呈現一致認同，樣本中心理敘事且透過圖像構成、色彩調和、形體類聚的概念產生，「故事性」與「對話性」表現形式的相互感知。（C）技術整合構面因子：技術整合敘事文本歷程，以基本操作→收集資料→傳達媒介→敘事練習→技術整合，已不再是單一的指向藝術家單向輸出，而是「觀賞者」與「作品互動」的敘事結果；（3）敘事文本表現蒙太奇的藝術表現，經學界專家指出，驗證創作者面對觀賞者互動的體驗，與一致性認同之相對性的共通觀點，Pearson相關係數具有高度相關認知，這表示數位電腦影像技術的「後藝術」表現，始自於「概念」與「視覺群化」所產生的構成現象有著「高度認同感」，可提供研究者創作表現的?酌。依據上述結論提出，數位藝術創作未來相關技法使用與建議：在表現蒙太奇的認知與技法傳遞結構式創作價值，針對「數位藝術創作要點」比對，數位藝術設計創作者創作過程，在數位藝術創作表現上的形式，是以電腦?位技術加以整合，期能發揮視覺張力的優勢。而藝術存在與典藏價值：在NFT幾年前問世後，就研究的結論來說NFT的未來性是可觀也值得期待，它可以解決目前藝廊未能解決數位藝術品交易棘手問題，這也驗證是時代趨勢的必要性。 The production process of digital art creation is the way for creators to experience and toughen. The production process of works has always been worth our exploration. This study intends to deeply analyze the creative expression techniques of "visual illusion and perceptual grouping phenomenon" and the vital keys to narrative texts. The paper used the in-depth interview theory and the computer-aided qualitative data analysis software NVivo to conduct the grounded coding analysis of interview content and literature data. We hope to bring the feasibility of the digital art virtual image field of the current non-fungible token (NFT) and will also know the verification research results and contributions. Therefore, through the in-depth interviews of optical illusion, perceptual grouping, and expressive montage texts, and with the grounded theory of "narrative text" to analyze the works. To this end, the research focus has achieved the following purposes: (1) To explore the correlation between the evolution of visual illusion and the process of perceptual grouping. (2) To analyze the elements of narrative text, structure, and factors of computer image technology. (3) To summarize performance montages for academic experts' analysis of the application of digital art creation techniques of narrative text. (4) To lead in the feasibility of value and contribution of NFT digital art. Therefore, that is the purpose of maximum benefit.This study attempts to summarize the creative elements of montage in digital art expression and the category of application value by analyzing the structural factors of the narrative text in the exploration of grouping in visual illusion artworks. The research findings are as follows: (1) The visual text relevance interpretation of optical illusion and perceptual grouping, and the related skills such as the concept of works → instruction → materials collection→ creative thinking, and idea generation put forward in the Gestalt Psychology narrative. (2) The development of digital computer imaging technology: (A) The aspect factor of aesthetic feeling development: is the way of real duplication→reproduction→false simulation→structural, deconstruction, and reconstruction. It has the concept of diversified digital art presentations of visual image creation. (B) Narrative psychological aspect factor: visual illusion and cognitive presentation agree. The paper generated the psychological narrative in the sample through the concept of image composition, color harmony, and body clustering, allowing the mutual perception of "story" and "dialogue" expressions. (C) Technological integration aspect factor: the process of technological integration narrative text, with fundamental operation → data collection → communication medium → narrative exercise → technological integration. That is no longer a one-way output directed toward the artist but a narrative result between the "viewer" and the "interactive work." (3) Experts in the academic circle pointed out that the artistic expression of montage in narrative text verified the creator's experience of interaction with viewers. The study found the Pearson correlation coefficient highly correlated with the ordinary view of the relativity of consistent identity. It indicates that the "post art" expression of digital computer imaging technology starts from the "high sense of identity" of the constituent phenomena produced by "concept" and "visual grouping." It can provide a reference for researchers' creative performance.This paper proposes the use and suggestions of related techniques in the future of digital art creation based on the above conclusions: in expressing the cognition and skills of montage to convey the value of structural creative work and compares the "key points of digital art creation." In the creative process of digital art design creators, the form of digital art creation is integrated with computer-digital technology that we expect to give full play to the advantages of visual tension. And artistic existence and collection value: the future of NFT is considerable and worth looking forward to after NFT came out a few years ago from the conclusion of the research. It can solve the thorny problem that art galleries are currently unable to solve for digital art transactions. It also verifies the necessity of the trend of the times.
Appears in Collections:	[數位媒體設計學系] 博碩士論文

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