Research for 「Mind-Image Photography」

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Title:	Research for 「Mind-Image Photography」
Authors:	TSENG, MING-HSIUNG
Contributors:	視覺傳達設計學系
Keywords:	Photography;Mind-Image Photography
Date:	2017
Issue Date:	2017-09-15 06:36:17 (UTC+0)
Publisher:	亞洲大學
Abstract:	This study will be discussed in terms of literature analysis, deconstruction of works and practical creation as the main research, the literature is focused on the text of Nan Huaijin, Yu Lian, Wang Banghsiung and Ho Fabee for the Laozi’s “Tao De Ching” thirty-fifth chapter (Hold Great Image) in the “Dull” can be interpreted as several categories ; As well as the discussion of “Absurdism” in Sartre and Camus “Existentialism” ; Define what is meant by “Mind-Image Photography” , and thus summed up the focus from the literature. This study focuses on the relationship between “Aesthetics of Dull” and “Existentialism” and “Mind-Image Photography”. Deconstruction of the works proposed Abbas, Shoji Ueda, Chang Chaotang, Ko Sichi, Quo Yingsheng and Chen Shunchu six photographers works. To discuss the relationship between the characteristics of these works and the different forms of “Dull” and “Existentialism” ? This study will be re-discuss the researchers in the past “Mind-Image Photography” works of the context and then according to “Mind-Image photography” summarized the focus after the reorganization of the creation of a number of new works. Finally, the experience of this study is as follows: 1. For the creator “Image” is not just “Body”, ”Image” is not just an “Visible Image”.But beyond the naked eye to see, through the inner thinking and with the external scene between the mutual respect of the “Dialogue” to form a specific creative presentation. 2. Do not you have to go to photography? What object to face or what subject matter in mind to create, one category of “Aesthetics of Dull” is “Useless” and “Present” in “Existentialism”, they are all in the encouragement of photographers “Anytime , Anywhere” can be creative. 3.”Mind-Image Photography” is through the appearance of things, highlighting the feelings of the author and then form a new visual thinking, sometimes it is difficult to use words to accurately describe, perhaps as the East-Jin Tao Yuanming in his “Drinking” the last paragraph written: There is a “True” and “Meaning” in this way, want to speak but forget the word.
Appears in Collections:	[Department of Visual Communication Design] Theses & dissertations

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